There is a particular kind of confidence that requires no announcement. It enters a room, and the room instinctively understands. It is the confidence of a man who has never needed to chase relevance because he has consistently defined it. On a stretch of Linking Road in Bandra where Mumbai’s old money and new ambition have always quietly coexisted, Raymond introduced the world to that kind of confidence. Not through an announcement. Not through a celebrity. But through an extraordinary luxury retail experience.
Chairman’s Collection represents Raymond’s boldest expression yet — carrying the full weight of a hundred years of Indian menswear heritage while feeling unmistakably contemporary. This is not a boutique. This is not merely a flagship. It is, in the truest sense, a declaration.
Raymond, the house that has dressed the Indian man through every defining chapter of modern India — from milestone moments to positions of power — has now stepped into entirely new territory. Not by revisiting nostalgia, but by claiming a space no Indian menswear institution has occupied before: unapologetic ultra-luxury.
This is not a collection designed by committee or conjured by a trend report. It is a singular vision shaped by connoisseurship, rarity, and a deep understanding of what distinguishes true luxury from mere expense. Chairman’s Collection is, in every sense, the pinnacle of that vision.
A room reveals a great deal about a brand. The company it attracts on its opening night — who shows up, who lingers, who actually looks at the clothes — speaks louder than any occasion ever could. By that measure, Chairman’s Collection made an emphatic statement.
The unveiling drew some of the most recognisable faces in Indian popular culture. Among the biggest draws were Ishaan Khatter, one of the more interesting dressers in Bollywood today; Neha Dhupia and Angad Bedi came together. Krystle D’Souza, Anjali Anand, and Rithvik Dhanjani were also in presence. Jackky Bhagnani and Deepshikha Bhagnani completed a guest list that felt, in the best possible way, curated.
What was striking was not the star power, but the quality of attention in the room. This was not an evening where people drift through for photographs and leave. Instead, people stopped and touched the fabrics. They lingered at the collectibles. They sat in the leather armchairs. In a city where luxury events are abundant and genuine engagement is rare, that is perhaps the most meaningful endorsement Chairman’s Collection could have received on its opening night.
Step inside Chairman’s Collection and something shifts immediately. The 11,000-square-foot, two-level flagship does not greet you the way a retail space does, but with intention, warmth, and the assurance that everything here has been chosen specifically for you.
The design language draws from Renaissance grandeur and Baroque opulence but still is proudly Indian. You'll find leather armchairs, bespoke trunks, gallery-style apparel displays that position a couture bandhgala with the same reverence you might find in a Florentine museum presenting a masterwork. Every surface, every light source, every considered corner speaks to a man’s sensibility.
And then there are the collectibles. Scattered through the space with the ease of a man who has genuinely lived his obsessions, Chairman’s Collection houses rare Formula 1-inspired models, precision-crafted automotive miniatures, art deco-inspired sculptures, and handpicked artworks. Beyond just decorative gestures, these are biographical statements — fragments of a curatorial philosophy that insists luxury is not a category but a way of seeing the world.
The store operates on an appointment-led model. There are no queues here, no accidental encounters. Every visit is choreographed to deliver something most luxury retail spectacularly fails to offer: genuine exclusivity.
Chairman’s Collection presents its menswear across three distinct, deeply considered universes — each one a complete philosophy of dressing.
Modern Opulence is elevated casualwear reimagined through Renaissance motifs and Baroque detailing. Printed silk shirts. Embroidered denim. Statement separates that carry the weight of couture references without the stiffness of formal occasion. These are clothes for the man who understands that dressing well is not reserved for the boardroom, but a daily practice.
Power Dressing — Contemporary Heirlooms takes Raymond’s century-old mastery of suiting and elevates it into the rarefied. Suits crafted in exceptional fabrics sourced from across the world, Indo-Western silhouettes in velvets and jewel tones, Embellished jackets finished with the artisanal depth of Indian craftsmanship. These are not garments designed to outlive trends entirely — heirlooms in the truest sense.
The third world — Art, Heritage & Experimentation: Indian Renaissance — is perhaps the most ambitious. Here, Renaissance-inspired prints meet zardozi embroidery and hand embroidery in combinations that feel simultaneously ancient and urgent. These are garments that transcend fashion to become collectible works.
What separates Chairman’s Collection from every other luxury menswear offering in India is the audacity of its vision. This is not a store that sells suits and calls itself luxury. This is a store that has genuinely reimagined what a luxury man’s world looks like in contemporary India.
Fine jewellery for men — a category that India’s luxury market has long left underserved — is present here, alongside lab-grown diamond pieces of exceptional provenance. The fragrance edit is as carefully assembled as the tailoring. The watch selection speaks to a collector’s sensibility, not a display cabinet. Every category earns its place not through commercial logic alone but through the uncompromising question: would a man of genuine taste want this?
The answer, in every corner of Chairman’s Collection, is yes.
There is a generational shift happening in the Indian luxury market, and Raymond has read it with the confidence of a house that has navigated every chapter of this country’s evolving masculine identity. The Indian man of 2026 is globally travelled, aesthetically educated, financially empowered, and no longer willing to look to Europe for his luxury references. He wants something that speaks his language — not just the language of his wallet, but the language of his heritage, his ambition, his sense of self.
Chairman’s Collection is built for exactly that man.
From time to time, you will see articles titled Esquire Connect in Esquire India. These are no different from advertisements and do not reflect the views of Esquire.