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The Lost Art of Ink Pens

The lost art of the ink pen is really the lost art of lingering over words, over handwriting, over thought itself.

Rudra Mulmule

A birthday gift of an old-fashioned ink pen sparks a flood of memories among adults, revealing how fountain pens once signified status, discipline and a slower, more deliberate way of learning. From ink-filling stalls and leaky school bags to stained white shirts, the story explores how nostalgia for ink pens is really nostalgia for a world where handwriting and patience mattered.

People often say good old days are long gone. But if you ask me, they were never quite as good as memory makes them out to be.

Still, life has a way of proving me wrong. At a recent birthday party, that is exactly what happened.

I gifted an old-fashioned pen and ink well I got from my time in the UK for my uncle who enjoys writing. Little did I know that almost every adult carries a fond memory tied to an ink pen, an object that today’s world rarely makes any room for anymore.

Ink pens are one of those treasure troves that are hardly ever sighted in classrooms, workspaces and even at home. Perhaps, it isn't presumptuous to say they get the worse treatment than ballpoint pens in an age of everything digital.

Now imagine, what may have happened to the art of dip pens or quills as they used to call it back in the days. They are the first redundancies in a pro-AI state of the world. Unless, one is deeply passionate about calligraphy, journaling or holds everything old money dearly, ink pens are blast from the past—that always sparks a wave of memories and stories like it did at the birthday party.

At the birthday celebration, as if ink pens are long-lost family heirlooms, the discussion circled around memories that had apparently been dormant for decades, triggered by the sight of an ink pen.

One relative recalled stopping at street-side ink-filling station on the way to school to get fountain pens refilled. Ink, he explained, was expensive back then, and the shopkeeper who charged 2 annas for a refill had a reputation among schoolchildren for quietly siphoning away a few drops with a dropper before refilling the pen completely.

Another spoke about how owning an ink pen once carried social status. Students who could not afford one would borrow it from classmates simply to experience writing with it. Others remembered broken nibs, stained fingers, strict handwriting lessons and the particular anxiety of carrying a leaking pen in a school bag.

But one tradition that has passed down generations is the white shirt rite of passage. Anyone raised on fountain pens remembers the ritual. When the ink stopped flowing, students would shake the pen sharply to getting it working again. In crowded classrooms, this often resulted in tiny blue droplets landing across the white shirt of the unfortunate student sitting ahead — marks usually discovered only after returning home.

The white shirt botched with ink, the anxiety around carrying a leaky pen, and the push to learn calligraphy are universal experiences for an ink pen user. Or shall we say used to be because who even carries an ink pen anymore? It has requires a lot more patience and care.

Moreover, ink pens are associated with discipline, aspiration and a slower, more deliberate way of learning. Unlike ballpoint pens, fountain and dip pens respond to pressure and angle. Writing with them requires attention.

Good handwriting has not only been treated as self-expression alone, but as practice — something cultivated through repetition and care.

Curious to know if I could find any other ink pen enthusiasts, I landed on the story around the writer R. K. Narayan, who once described his father’s elaborate annual ink-making ritual. A family trip by bullock cart to gather ingredients, followed by an entire day spent brewing homemade greenish ink in a large cauldron intended to last the year.

Reading these stories, and listening to the ones exchanged that evening, I realised the nostalgia around ink pens is not really about the object itself. It is about the world they belonged to — one that moved slowly enough for handwriting to matter, for letters to carry personality, and for patience to be part of the learning process. Today, most of us type faster than we think. Pens have become disposable, handwriting increasingly irrelevant, and ink stains an inconvenience rather than a rite of passage. Yet the moment an old fountain pen appears in a room, people still light up with stories they had forgotten they carried.

Perhaps that is why the ink pen survives so vividly in memory.