It’s a love story stretched between Vermont, New York and the traditional Indian household. Desai writes about when intimacy erodes slowly, and the person you love becomes a ghost with a heartbeat.
This time, Awad flips the narrative, offering an alternate perspective that peels back the layers of performance, delusion, and desire. It’ll remind you that fiction can still be strange, dark, and deeply feminine in its rage.
These five interconnected stories stretch across India, England, and America, tracing characters who find clarity only when time begins to run out. It’s the kind of book that reminds you why fiction, at its best, outpaces death.
Atwood revisits her childhood in Quebec’s wilderness, her bohemian youth in Toronto, and the literary friendships that shaped her through this memoir with her signature dry humour.
Roy writes about her mother whose defiance shaped the feminist movement in India. She writes about loss the way she writes about revolution: with clarity, anger, and unbearable tenderness.
Sorkin reconstructs the Great Crash not as an economic event, but as human theatre: a parade of arrogance, greed, and catastrophic optimism that still echoes in today’s markets.
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